Revue Faire No. 10 - A line: Robert Brownjohn

Revue Faire No. 10 - A line: Robert BrownjohnThe figure of Robert Brownjohn oscillates between New York and London, swaying between the 1950s and the 1960s, juggling, within the profusion of his production, with typographic games and photographic essays, identities on headed notepapers and advertising installations, packaging in the form of a rejected project and the opening credits that went on to become an archetype for every other spy movie. Constantly stumbling between life and ideas, the

Images taken by war photographers such as Lee Miller and Robert Capa were shown next to current global news imagery ranging from the current Middle East wars to mass global migration

In this issue

or landscape of personal stories that connect to form a fashion network which inverts our gaze

from women liberation slogans to dishwashing instructions

Food is the rememberance of our roots and origins

expectation

Published on the occasion of a large-scale solo exhibition in Sakiko Nomura’s hometown of Shimonoseki

OUTbook (multiplication and digression)

Amin to join his exhibition

Immutable gestures both towards anthropologist Laura Nader's call to "study up" (on those in power)

marine mammals

Year: 2011